Skip to main content

SHATTER ME by Tahereh Mafi



copyright date: November 2011
primarily marketed for: young adults (14 and up)

This book was a gift to me from Mrs. Wisniewski.  If you know Mrs. Wisniewski, you know that means it is going to be Good (notice the capital ‘G’).  

When the story opens, Juliette is imprisoned.  She has not touched or spoken to anyone in 264 days.  The story starts inside of this isolation.  She has been locked up because she touched someone.  And her touch is lethal. 

The story picks up when someone is thrown into the cell with her (and her deadly touch).  She remembers him from her life before.  Before she used her touch to kill someone.  She knew Adam when they were kids, before the world destroyed itself, but he doesn’t seem to remember her.

Soon, Juliette is released from the darkness of her prison only to be imprisoned by a dangerous leader who wants to use her touch as if it is his own power to advance himself politically.

While Juliette is there, she encounters the same person with whom she had been imprisoned—Adam.  She is not sure whether or not she can trust him, but she is definitely falling for him. 

Eventually she figures out a way to attempt escaping her captor.  And although the ending sort of provides closure, it is clear this is the beginning of a series.

The result is a story filled with tension, action, and intense romance.  There is a very small amount of somewhat mature language, but the real edge in this book comes from how intensely she desires Adam.  Although the romance is ultimately rather innocent, the passion is heated. 

However the best thing about this book isn’t even the gripping story itself—it is the craft Mafi used to convey the story. 

She uses strikethroughs that reveal Juliette’s inner struggle:

“He doesn’t touch me and I’m disappointed happy he doesn’t.  I wish he would.  He shouldn’t.  No one should ever touch me.”

She uses this repetition of numbers as a means of organizing Juliette’s thoughts—as if counting things is calming to Juliette:

“My eyes break open.  2 shattered windows filling my mouth with glass.”

“His voice hugs the letters in my name so softly I die 5 times in that second.”

She uses striking metaphors.  Constantly.  To tell the whole story.  Not peppered here and there.  Figurative language is the language.  And it is breath-taking:

“I open my palm to him.  The paper is a crumpled wad of possibility.”

“His face is a forest of emotion.”

“His eyes are a midnight moment filled with memories, the only windows into my world.”

“His lips are spelling secrets and my ears are spilling ink, staining my skin with his stories.”

“I’m too poor to afford the luxury of hysteria right now.”

I am in love with Shatter Me.  Thank you, Mrs. Wisniewski!

Comments

Popular posts from this blog

THE FAULT IN OUR STARS by John Green

You knew it was coming.  How could I not share?  EVERYONE MUST READ JOHN GREEN’S LATEST WORK OF ART: THE FAULT IN OUR STARS .  Throughout my life (well, at least from 4 th grade, when I was introduced to Charlie and the Chocolate Factory by Roald Dahl until now, the 7 th month of my 34 th year of noticing the universe) the name ‘Augustus’ immediately evoked an image of a chubby, stubborn, chocolate-loving boy, doted upon by his mother, with the last name of Gloop.  The name ‘Augustus’ made me giggle about this character’s gluttonous follies inside the chocolate factory. Until reading John Green’s beloved new book The Fault in Our Stars . From now on, the name ‘Augustus’ will forever evoke an entirely different image and an entirely different set of emotions.  A casually hot, lean, limping ‘Augustus Waters’ has forever replaced the ‘Augustus’ of the book I treasured as a child—an unlit cigarette held loosely between his lips.  A longing sigh ...

A MONSTER CALLS by Patrick Ness (inspired by an idea from Siobhan Dowd and illustrated by Jim Kay)

“Every time the monster moved, Conor could hear the creak of wood groaning and yawning in the monster’s huge body.” In her review for the New York Times , Jessica Bruder refers to A Monster Calls as, “A story that lodges in your bones and stays there.”  This, I believe, is an understatement.  I am afraid my words, mere pixels on the screen, cannot begin to honor how truly special this book is. From his words in the Author’s Note, Patrick Ness held me spellbound.  Siobhan Dowd had developed an idea for a book about a monster and a boy whose mom had cancer.  Breast cancer cut her life short and she was unable to finish her story.  Patrick Ness, when asked to craft something from the seed of a story Dowd left behind said, “…the thing about ideas is that they grow other ideas.”  And so, A Monster Calls was born out of Dowd’s seed and Ness’s nurturing. I suppose a book with that kind of conception was bound to be incredible, but I am sure not even ...

EXTREMELY LOUD AND INCREDIBLY CLOSE by Jonathan Safran Foer

copyright date: 2005 primarily marketed for: adults Extremely Loud andIncredibly Close is the grown-up book that made me fall in love with grown-up books again.   Or, at least made me open to reading them after years of sticking solely to young adult literature (aka Good Literature).    This book arrived on my doorstep as a surprise gift from a friend I’ve known since second grade, which made it that much sweeter.    I can’t decide whether to be excited or disappointed that this book is being turned into a movie now.   Everyone needs to know this story- it is incredible!   I just can’t imagine the movie possibly doing the depth and layers and format of the story justice.   One of my favorite qualities of the book is the way pages of images are smattered throughout the story. The images are jarring the way that they interrupt the story, and yet they are perfect in the way that they enhance the story—deepen my thinking as a reader. ...